485
9.0

Soho区惊魂夜

导演:
埃德加·赖特
主演:
托马辛·麦肯齐,安雅·泰勒-乔伊,马特·史密斯,黛安娜·里格,丽塔·塔欣厄姆,迈克尔·阿乔,特伦斯·斯坦普,山姆·克拉弗林,科林·梅斯,西诺薇·卡尔森,洁西·梅·李,卡西厄斯·纳尔逊,丽贝卡·哈罗德,艾米·卡塞塔利,宝琳·麦克林,乔什·扎雷,伊丽莎白·贝林顿,詹姆斯·菲尔普斯,奥利弗·菲尔普斯,保罗·布赖特威尔,威尔·罗杰斯,安德鲁·比克内尔,亚当·索普,迈克尔·米尔斯,玛格丽特·诺兰,卢克·霍普,迈克尔·吉普森,莉莎·麦格里利斯,艾尔·罗伯茨,德里克·李,Jacqui-LeePryce,AlanMa
别名:
未知
9.0
485人评分
英语
语言
2021
年份
已完结
备注
简介:

艾露思(托马辛·麦肯齐 Thomasin McKenzie 饰)是个性单纯善良的乡村女孩,渴望成为一名服装设计师。凭借着自己的努力,她考上了位于伦敦的艺术学院,怀揣着对未来的期待和对梦想的希冀,她告别的居住在故乡的外婆,独自踏上了求学之路。初来乍到,伦敦的一切在艾露思的眼里看来都是这样的新奇和时髦,但同时,复杂的人际关系和繁重的学业也给艾露思带来了巨大的压力。                                                                        无法适应宿舍生活的艾露思租下了一间老旧但是舒适的单室间,哪知道在这里的第一夜,她就在半梦半醒之间穿越回了60年代,并且邂逅了一位名叫桑迪(安雅·泰勒-乔伊 Anya Taylor-Joy 饰)的女子。艾露思透过桑迪的眼睛目睹了她是如何从一个才华横溢的女子一步一步堕落成为妓女最后被杀害的全过程。

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简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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