大潮

简介：美国哥伦比亚大学迎来了新一届学生。黑人青年马里克（Omar Epps 饰）拥有极高的运动天赋，为了得到全额奖学金，他必须拼命训练取得优异成绩。超级大四学生富吉（Ice Cube 饰）的愤世思想深深影响了马里克，他对自己的前途倍感迷茫；白人女孩克莉丝蒂（Kristy Swanson 饰）对大学校园的一切都感到新鲜，在一次狂欢醉酒后，她遭到强暴，从此投身于女权运动中；来自爱达荷的白人男孩雷米（Michael Rapaport 饰）木讷保守，与周遭格格不入，偶然机会他结识了几个光头党的朋友，在偏执的路上越走越远……　　本片荣获1996年美国有色人种大奖NAACP Image Awards最佳男配角奖（Laurence Fishburne）。

简介：One day in the twisted love life of a serial killer.

简介：入围华沙电影节前两部竞赛。　　The film takes the viewer back to the previous century. Its topic, raised for the first time in feature films, opens one of the most shameful and terrifying pages in the history of the USSR the so-called punitive psychiatry used by the KGB in the fight against political and religious dissidents. The film's protagonist is a young man who wants to feel free in hi...

简介：两名科学家试图阻止一种突变，这种突变在前一年被超级月亮触摸后将人变成狼人。

简介：五兄弟从此要告别混迹市井街头的生活，美好的前程在向他们招ddd。他们喜出望外，意气风发，拍马疾驰，奔向瓜州。他们做梦也想不到，慈眉善目的王大人正是杀害水哥一家老少的黑恶势力的总后台，去瓜州就是入地狱之门，杜衡在利用他们完成罪案之后，就会把他们尽数杀害。真相大白之时，一心想立功受赏的金哥已遭暗箭，刚烈如火的赛玛和憨直忠勇的阿卜都都为救水哥喋血大漠。好月楼的十三娘也为保护几位无辜的少年而殒命。血债必须以同物偿还……

简介：生长在单亲家庭的敏雅（林秀晶 饰）是个酷爱摇滚音乐的高中生，她并不是“不良少女”但却会吸烟喝酒。她是个浪漫主义的人，希望自己的爱情能够一帆风顺。　　一天，在敏雅楼下搬来了一名英俊的大学生英宰（金来沅 饰）。英宰直言不讳说自己对敏雅一见钟情，继而展开一系列的追求攻势，企盼能得到敏雅的欢心。虽然敏雅觉得英宰并不讨厌，可是她依然怀疑英宰的为人，她甚至跟踪英宰，想知道英宰结识的是什么朋友。经过英宰多番的努力，敏雅才向他敞开了心扉，两人开始了爱情故事。当敏雅向母亲诉说恋爱感受的时候，她对自己的这次初恋依然模糊。

简介：一对父女在印度过着循规蹈矩的生活，直到一次意外的医疗诊断改变了他们的生活轨迹。

简介：The mystery of the unknown and the road that leads to the solving of the said mystery, both are waiting.

简介：San Francisco Tong hatchet man Wong must execute his boyhood friend Sun. Sun knew his time was up and wrote out his will just prior to Wong showing up at his door. When Sun realizes Wong is there to kill me he tries to set his friend's mind at ease by telling him he is the beneficiary of all Sun's worldly possessions and convinces Wong to promise to take care of Sun's young daughter, Toya San who Sun has bequeathed to become his wife. Years later, when she becomes of age, she marries Wong, now a powerful figure, though she loves evil Harry. When Wong learns Toya will be happier with Harry he allows them to leave. Still later Wong learns that Harry has been deported and since Toya could not prove she was married to someone else she too was deported to China. When Wong learns of this, he goes after them.

简介：金门集团会长、暴力组织在虎派大佬石东出遭遇车祸身亡，该事件在黑白两道引起不小震荡。为了遏制金门集团进一步向合法领域渗透并持续壮大，警方及时提出“新世界计划”，旨在干预金门集团继任大佬的选举。而围绕会长头衔，金门旗下三号人物华侨出身的丁青（黄正民 饰）和四号人物常务理事李仲久（朴圣雄 饰）展开一连串明争暗斗。在危机四伏的当下，警方姜科长（崔岷植 饰）命令卧底十年之久的李子成（李政宰 饰）左右选举结果。子成六年前和丁青结识，并且得到对方的器重和信任。早已厌倦黑道生活的子成无奈受命，却无疑将自己投入了凶险非常的黑色漩涡之中。　　充满鲜血与欲望的战场，新世界何日来临？

简介：虚构的世界Royston Vasey面临末日，唯一能阻止灾难的方法是奇怪的居民（恶梦般的角色）找到通往真实世界的途径并迎战他们的创造者。而从如今的伦敦索霍区到虚构的17世纪英国，居民们必须克服一系列奇怪的障碍，安全地返回心爱的村庄。这部古怪的喜剧片翻拍自非常成功，倍受观众喜爱的BBC连续剧。

简介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.