二加二

简介：

为了吞下东氏集团的财产，东升谋杀岳父母的一幕苦肉计碰巧被三个小孩录下，三人向他勒索巨款来解决各自的困境，触发连场斗智斗恶的博弈。被誉为中国社会派推理大作的小说《坏小孩》，改编成现象级剧集后，移植至日本犯罪天才的人设，更臻完美。大放异彩的冈田将生和几位年轻演员合演死亡游戏，导演金子修介继《死亡笔记》后，更细腻分析行凶心理，点出杀害亲人至爱才是凶手内心最啱数的行为，揭示当下金钱世纪，新生代心中早已崩坏的地方。

简介：炎炎烈日下，17岁的珀迪和他15岁的弟弟马肯齐相依为命，艰难求生。珀迪在一家酒店大楼里打扫卫生，马肯齐偷窃游客钱财。在青春期的鲁莽和成年人生活的艰难中，他们不得不在这个令人心碎的甜蜜旅程中相互支持。这或许是他们青春期的最后一个夏天。

简介：该片改编自同名漫画，主人公花垣武道（北村匠海 饰）因被推下月台意外穿越到10年前，他为了拯救被“东京卍会”杀害的女友，决定向该不良组织发起挑战。

简介：Allen Sunshine tells the story of a former music mogul who retreats to an isolated lakeside home to grieve his famous wife’s suicide. He copes by composing ambient-electronic music and nurturing an unexpected friendship with two young boys whom he meets on the lake fishing. Throughout the course of his stages of grief, Allen encounters characters that remind him of what he’s lo...

简介：从海豹突击队退役后的迈克和搭档罗伊、德里克以及亨特一起开办了一家私人侦探所，为客户提供各种项目的服务。这本应该是个赚钱的行业，可是许多客户支付不起昂贵的费用，但只要是为了正义而战，迈克的私人侦探所是不会介意费用问题的。　　迈克虽然已退役多年，但有一件事情至今仍令他耿耿于怀。在一次任务中，军火贩子萨基申用新研制的集束弹炸死了许多迈克的战友。在迈克与他面对面的较量中，萨基申甚至摘下了迈克的防毒面具，幸好罗伊及时赶来才让迈克捡回了一条命。迈克没有看轻萨基申的脸，只透过防毒面具看到了他的一双眼睛。那场战斗结束后，迈克的战友死伤惨重，即使是负伤被抢救过来的，他们生下的孩子也都存在残疾。这些都是萨基申的化学制剂集束弹带来的后果，迈克对他可谓恨之入骨。但这些年来，萨基申就像从人间蒸发了一样，消失得无影无踪，迈克一直在寻找他的踪迹。　　一个偶然，迈克从报纸上看到了军火贩子雷纳德的通缉令，直觉告诉迈克雷纳德就是萨基申，尽管他可能做了易容术，但那双眼睛和自己透过防毒面具看到的眼睛一模一样。迈克找到合作伙伴安迪(blog)，请他帮忙寻找这个雷纳德的踪迹。从内部报告中安迪发现萨基申早在几年前便死于一场爆炸，他不相信通缉犯雷纳德就是萨基申。但迈克相信自己的直觉，执意要找到雷纳德，于是在安迪的帮助下，找到了雷纳德的一个聚点。　　迈克单枪匹马杀入聚点，却因寡不敌众被抓。雷纳德很快认出了迈克，他承认自己就是萨基申。雷纳德将自己研制的病毒注入迈克的体内然后逃走，罗伊带着大家赶来救下了迈克。但当迈克被送到医院后才发现，他体内这种不知名的病毒目前医学对它毫无办法。迈克执意离开医院，他要找到雷纳德拿到解药。然而雷纳德却在酝酿一个更大的阴谋，他在小岛上的秘密基地里研制了化学制剂的导弹，并将在几个小时后将导弹发出，目标就是城市德莱萨。亨特的女儿就生活在德莱萨，为了女儿，为了德莱萨无辜的居民，迈克带着搭档们直捣雷纳德的秘密基地。　　在大家的配合下，雷纳德的手下多数被击毙，侥幸存活的也都是些散兵游勇，对迈克他们造不成什么威胁。但最让人感到棘手的是，雷纳德已经命令将导弹的程序开启，没有人能使之停下来。在这危机时刻，罗伊不顾个人安危，爬到导弹顶部将化学制剂从导弹上取了下来。导弹在发射的那一刻，被安迪在空中拦截，这颗导弹终于没有被发射到德莱萨，大家都松了一口气。与此同时，迈克也找到了雷纳德，并从他那里得到了解药，雷纳德则丧命在自己研制的化学制剂下。迈克终于为战友们报了仇，同时也拯救了无辜的民众。但是像雷纳德这样丧心病狂的军火贩子还有很多，迈克还要带领自己搭档继续与他们展开正义与邪恶间的战斗。

简介：

影片讲述达·芬奇(弗雷配)的自由思想与教皇良十世(贝里配)发生冲突，于是后者将这位伟大的发明家从罗马送至法兰西宫廷，去与更加开明却容易不悦的弗朗索瓦一世、他的妹妹玛格丽特公主(雷德利配)、他的母亲萨伏伊的路易丝相处。他在这里可以自主进行试验、发明飞行装置、制造令人难以置信的机器并研究人体。在玛格丽特公主的参与下，他还希望能回答出终极问题：这一切的意义是什么？该片预计于2021年8月开始制作，并计划于2023年春季上映。

简介：马特急于救治奄奄一息的妻子，他求助于一个具有黑暗魔法的古老魔袋，但使用魔袋需要进行令人不寒而栗的仪式并遵守严格的规则。在妻子的病逐渐痊愈后，马特却陷入了崩溃状态，他面临着可怕的后果。

简介：一位名叫Jeonim的讲师邀请她的叔叔到学校执导一部戏剧小品。Jeonim每天都会去附近的溪边写生，试图捕捉它的形状。　　她的叔叔决定执导，因为40年前他曾在同所大学执导过一出戏剧小品。学生中发生了一起丑闻事件，Jeonim与她的叔叔最终卷入其中。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：剧情简介暂缺，敬请期待

简介：公元907年，朱温灭唐。十六位龙骑禁军护少主拼死杀出重围隐匿于凤翔驿，化名为不良。十年后，不良将李光佐召当年龙骑军后人聚义凤翔准备起兵复唐。计划却被梁王朱温麾下杀手堂截获，李将军被抓，几个先到凤翔驿的少年也面临血战，却被因引力波乱入的两个两个未来特工之后搅了局，而且一桩旧事也露出真相。

简介：

冢本晋也继《野火》再探日本战败岁月，借男孩足迹和目光，贯串两个伤痕短篇。先是女人与什么都没有的小酒屋，男人来找她为了更原始生理目的，一个总是说明天带钱来的士兵，连同独来独往的男孩给她片刻家庭的憧憬。其次是退伍士兵一段路程一个任务，男孩伴随看到他手臂残废身心俱疲。三个成年角色苦苦挣扎，未知能否走出战火阴影，男孩却默默四处找活子，找到了一把枪。冢本晋也简明直接叙事，在豚与军舰未到来时，查察人心底里存续的微弱火苗。