一个死者对生者的访问

21世纪初，苏莱曼尼的几个家庭都在录制视频，用各种方式记录家庭记忆。佩里十几岁，刚刚结婚。她的母亲在她很小的时候就去世了，所以她一生都和姑姑和表妹生活在一起。她的姑姑和表妹安排她嫁给了外人，这给她和丈夫的生活带来了巨大的困扰。这些问题最终迫使佩里重新翻阅旧的家族档案，寻找解决困境的方法。—比拉尔·卡马兰

　　《大叔的爱》明年夏天要出电影版啦！暂定名剧场版[大叔的爱]。田中圭、吉田钢太郎、林遣都、内田理央等原班人马大银幕再聚首。电影将以剧集之后的1年为背景，可能会出现新的“大叔”。

　　一个有抱负的年轻演员为了演艺事业，考虑放弃他的家人世代相传的餐厅。于他而言，这个餐厅就是他的负担，他会放弃梦想还是餐厅？

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　环卫公司垃圾车驾驶员尼卡德（Matti Pellonpää 饰）的老同事计划筹资组建自己的环卫公司，邀请尼卡德技术入股，但老同事不久急病突发身亡，尼卡德的生活重回一潭死水状态。尼卡德心有不甘借酒滋事，在被拘留的时候结识日后的同事米卡拉。米卡拉偶而会不识趣的妨碍尼卡德暗地追求超市售货员伊罗娜（Kati Outinen 饰），但他仍是尼卡德最可依赖的朋友。伊罗娜为报复超市经理偷走了钱盒，尼卡德帮助她找到服装店的新工作，服装店经理夹到尼卡德与伊罗娜的关系中间，但尼卡德最终夺回了自己的爱人。
　　本片获1987年芬兰电影尤西奖最佳影片奖。是导演郭立斯马基（Aki Kaurismäki）无产阶级三部曲的第一部。

　　该片故事讲述一名变态杀手（克里斯托弗·阿波特 饰）计划在酒店招妓（米娅·华希科沃斯卡 饰），并将其谋杀。然而他计划却失败了。

　　回望历史所带来的震撼，它让我们牢记：中华儿女只要万众一心，就能抵御一切来犯之敌，就能实现屹立于世界民族之林的中国梦。

　　阿姆布罗瑟（文森特·卡索 Vincent Cassel 饰）是一名非常虔诚的修道士，早就发誓将自己的身体和心里全权交由上帝管理。苛刻而又严格的他对教义有着自己独特的理解，他觉得世人每一日都在玷污上帝的存在。玛蒂娜非常的崇拜阿姆布罗瑟，她的顺从和服从激发了阿姆布罗瑟潜藏在心底的兽欲，欲望一旦被激发，就无法收拾，阿姆布罗瑟一步一步向着深渊走去。
　　安东尼娅（约瑟芬·约比 Joséphine Japy 饰）是常常前往修道院为自己的母亲祷告的女孩，她的纯洁吸引了阿姆布罗斯的注意，后者为了能够占有她的身体，不惜设计将她的母亲杀死。最终，阿姆布罗瑟的种种罪行被一个贵族青年给发现了。

　　The pic is set in the aftermath of an apocalyptic event that forces people into extreme isolation. A father (Moyer) and son (Van Acker), who have been living off grid for 20 years, encounter an outsider (Silverstone) who threatens to destroy the utopia they’ve built.

　　焦急的母親菈葵兒（艾瑪蘇雷茲飾演）到銀行借錢，她必須在24小時內籌到35000歐元（約新台幣130萬元），否則她將再也見不到心愛的女兒。經過不斷懇求，銀行終於同意借款給她救急。不料在貸款手續快要完成之時，兩個蒙面搶匪闖入銀行，不但搶走所有錢，就連在場所有顧客與行員都成為人質。在分秒必爭的險境當中，菈葵兒決定無論付出什麼代價，都一定要拿到這筆錢全身而退…。究竟她該如何保住性命？又該如何籌錢保住女兒呢？

　　剧情介绍
　　张国强与苗侨卫自小友好,大学毕业后,张任职海关,苗任职毒品调查科.苗与高飞同为调查科高级督察,暗里与泰国金三角走私客挂钩,从中获取暴利。
　　金三角毒贩吴真宇不甘被二人分薄利益，命香港之党羽黎汉持偷取他俩之罪证作要胁，反被二人设计赶尽杀绝。
　　苗等欲拉拢张合作，被张拒绝，高派人杀张全家，张幸保性命，逃往泰国，匿藏表妹单桂枝家中。苗、高为刘铲除吴镇宇，前往泰国与走私生意的拍档任达华共商策略，二人得悉张亦在泰国，乃想出一石鸟之计。
　　高约吴在酒店讲数时，枪杀吴，嫁祸张张，吴之未婚妻大岛由加利赶至，与张大打出手，单劝张离开。
　　大岛终查出吴为任等人所杀，设下圈套，引任、苗、高到来，张负伤赶至，各方人马在毒枭的山头总曾爆发一场惨烈的大决战！

　　邪恶博士使用了一种时间机器来到的1969年，在这里他偷走了奥斯汀的毛九(MOJO)——奥斯汀的力量之源，使其威力尽失。幸运的是，英国智力机构发明了一种更先进的时光机器，奥斯汀告别1999年的美好物质生活，回到他生龙活虎的时代，追回他的MOJO。
　　同时邪恶博士酝酿了一个毁灭世界的邪恶计划：在月球上按照炮弹进而毁灭地球。奥斯汀一定要在1969年阻止邪恶博士的计划，不然，他将失去1999年所拥有的美女与吃喝玩乐。不正经的特工再次出动，只是为了自己，顺便拯救一下世界。