笑傲江湖

简介：大学教授·大岛健藏(久松信美饰)在东京都内的巷子里被不明身份的人刺杀，警视厅搜查一课·十津川警官(高桥英树饰)和龟井刑警(高田纯次饰)则亲临现场。根据第一发现者，被害者是“十津川…”说完就断气了。大岛是有名的“线粒体学”第一人，但十津川却素不相识…。十津川一边困惑一边开始搜查，在现场附近的监控录像中发现了可疑男子的身影。　　为了寻找线索，十津川等人询问了副教授早濑由美(黑谷友香饰)和支援研究的生物相关公司社长中园宏司(中村俊介饰)，得知了令人震惊的事实。监控录像中的男子，一定是两人的青梅竹马·赤池庄五郎(松尾谕饰)。由美、中园、赤池3人是北海道·新十津川町出身，3人发誓永远的友情，但由美和中园以大学升学为契机来到东京。据说只有赤池留在当地继承了农业。赤是认真地进行品种改良,因此详细大岛由美在农作物教授介绍了的,但大岛是品种改良的为了咨询经常来访赤为了整肃“不久的家伙”,他的努力“小学生的“自由研究水平和部落。大岛教授在临死前留下的话=“十津川”是指赤池吗!　　之后，为了追寻逃往故乡的赤池的踪迹，十津川和龟井也前往新十津川町。可是，赤池竟然拿着猎枪闯入了街道事务所，把街道的资产家浦野典史(萤火虫雪次朗)等人作为人质关在那里。这时由美想阻止好友暴走，十津川为了保护她，把枪口对准了赤池…!赤池对对峙的十津川说“撤销札沼线的废止!”赤池的真正用意是……!紧接着，在遥远的东京，又发生了一起悲剧……!

简介：鈴村ヒソカ（貫地谷しほり）が働く警視庁遺失物センターに元捜査一課の山之内三郎（松重豊）が赴任してくる。ある日、警備員の野崎幸久（吉田宗洋）が遺体で見つかり、殺される直前に落としたカメラが遺失物センターに届けられていた。野崎が警備先で10億円相当の絵画の窃盗事件に巻き込まれていたことから、警察は野崎が事件に関与しているとみて捜査。一方、ヒソカはカメラのデータに写っていた女性を見つけ出し、松本郁美（板野友美）の元を訪ねる...。

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一对年轻夫妻在德里一家橡胶手套厂里打工，丈夫与工友发生冲突，此时一段关于他妻子的不雅视频突然传播开来，给两人的工作与关系带来了巨大冲击。影片是一则疫情封控时期的现实主义道德寓言，底层民众在生存压力与腐败诱惑之下做出互害举动，女性更是饱受婚姻内外的指责和羞辱。片中宛如鬼城的空荡街道与拥挤不堪的工厂流水线形成强烈对比，提醒人们病毒感染亦有其阶级性。入围2022年洛迦诺国际电影节主竞赛单元。

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娘の死後、離婚した雅は、いまはデリヘル嬢として働いている。ある日、彼女は奇妙な客に出会う。その客は彼女の背骨の写真を撮ることを要求したのだった。写真を撮らせると、その次は彼女の足の写真。彼女はやがて、気づくのだった。彼女が、男に写真を撮らせる毎に、彼女の娘の幽霊が彼女に近づいてくるのを。そして、彼女に残された最後の部位、それは眼球だった――。個人の物語はやがて、社会の崩壊をめぐる神話へと連なっていく。                                                                      　　SFやホラーといったジャンルを超越した新たな恐怖を描く“アブストラクト・SFホラー”。主演は、『クレマチスの窓辺』『この日々が凪いだら』の瀬戸かほ。すでにアメリカのスラムダンス映画祭、ポーランドのワルシャワ国際映画祭等多数の海外映画祭にて上映され、サンティアゴホラー映画祭でベストシネマグラフィ&審査員賞を獲得するなど、海外から高い評価と注目を集めている。本作が監督初の長編映画となる。

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Alors que Jean, maire très conservateur d'une petite ville du Nord, est en campagne pour sa réélection, Edith, sa femme depuis quarante ans, lui annonce une nouvelle qu’elle ne peut plus taire… Au plus profond de son être, elle est - et a toujours été - un homme.                                                                      　　Jean pense d’abord à une plaisanterie mais réalise rapidement qu’Edith est sérieuse et déterminée à mener sa transition jusqu’au bout. Il comprend alors que son couple, mais aussi sa campagne électorale, risquent d’être sacrément chamboulés…

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讲述灰原哀的过往。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：作为著名驱魔师燕虹霞的儿子，成天招摇撞骗倒卖法器的燕赤霞，并没有继承老爹强大的实力，也没有拯救世界的觉悟，但奇怪的是麻烦总会找上他。但最终在经历了女妖邂逅，寻找神兵等一系列事件后，燕赤霞也开始一点点觉醒，成熟，最终成长为一代大侠，匡扶正义。

简介：Grounded in South African folklore, this moody, menacing supernatural thriller follows a white family newly arrived on an inherited farm. Soon after moving in, they meet a mysterious local outcast named Lazarus, who carries with him a dark secret that will put everyone at risk. With evocative images, spine-tingling sound-design, and a terrific central performance by Tshamano Sebe, director Harold Hölscher conjures up both visceral scares and a heartbreaking narrative.

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简介：电影讲述了抗疫期间，无数平凡人毅然决然地冲锋在最前沿，用血肉之躯筑起了抗击疫情的钢铁长城。