巧奔妙逃

简介：6月6日凌晨6点，美国外交官罗伯特•舍恩（Liev Schreiber 饰）刚出生的儿子不幸夭亡，在斯派尔多神父（Giovanni Lombardo Radice 饰）的建议之下，他收养了一个出生不久母亲便过世的婴儿，并为其取名戴明。　　戴明（Seamus Davey-Fitzpatrick 饰）在罗伯特的家中健康成长，从未生病。与之相对，各种怪事也不断在周围发生。罗伯特的妻子卡瑟琳（Julia Stiles 饰）再次怀孕，她发现戴明竟然对尚在腹中的婴儿心存恶意。在布莱南神父的指点下，罗伯特得知戴明竟然是恶魔之子，他必将不断壮大，为害人间……　　本片为1976年同名作品的翻拍版。

简介：七个年轻人去一个荒凉的森林寻找熊，他们不知道的是，一个疯狂的越南老兵住在那里，他正在等待新鲜的血液……

简介：约翰（本·卓别林 Ben Chaplin 饰）是小镇上的银行职员，多年来孤独而又单调的生活让他的感情世界空虚异常，在寂寞的驱使下，他竟然鬼使神差地在一个名为“爱在俄罗斯”的交友网站上订购了一位俄罗斯女郎纳迪亚（妮可·基德曼 Nicole Kidman 饰）。　　在网站资料介绍中，纳迪亚个性开朗温柔贤惠，更妙的是，她还会说一口流利的英语，和约翰之间的交流基本上没有障碍。然而，当约翰满心欢喜地到机场去接远道而来的纳迪亚之时，他才发现，她所谓的流利英语，只有一个单词，那就是“yes”。随着时间的推移，约翰渐渐发现了纳迪亚的美妙之处，她所绽放出来的激情和魅力足以抵消其他的所有不足。纳迪亚的生日很快就要来临，约翰准备替她准备一场隆重的庆祝，此刻的他还不知道，那日，两个不速之客的到来将彻底改变他的命运。

简介：几个年轻人在去往约书亚树沙漠的旅行途中在不知情地情况下召唤出一个怪物，这怪物通过模仿他们的外表，把他们分开去完成一个致命的仪式...他们的结局会如何呢？

简介：1980年代的英格兰，爱德华（比尔·米尔纳 Bill Milner 饰）是一名十岁的男孩，爱德华的妈妈（安-玛莉·杜芙 Anne-Marie Duff 饰）努力经营家庭养老院，爸爸（大卫·莫瑞瑟 David Morrissey 饰）却正陷入一场中年危 机，与来帮忙的少女牵扯不清。生活在老人中间，爱德华很好奇当这些老人死后会发生什么，他用偷录老人离世时屋中噪音的方式来寻找死后生命的证据。一天，爱德华遇到了新来的老人克拉伦斯（迈克尔·凯恩 Michael Caine 饰）。克拉伦斯是一位退休魔术师， 整日悲伤，对爱德华很凶。但这一老一少在彼此的交往中却形成了一种奇怪的友谊……　　本片获伦敦影评人协会最佳新人奖提名（比尔·米尔纳）。

简介：影片讲述了发生在贵州省姑鲁产蛋崖的爱情故事，姑鲁为地名。　　万欣（谭皓 饰）是省城一个成功人士，有着一半的水族血统，他随着旅游团到了水寨后，遇上了他喜欢的水族妹子水秀（王若涵 饰），水秀是水寨回乡创业的大学生，组织留守妇女开发马尾绣，将马尾绣推出寨门，发展家乡经济。万欣的到来，给水秀开发水家非物质文化遗产：马尾绣、水家九仟酒、水家歌舞水族印象等都带来了很大的帮助，使水秀由衷的佩服，于是两人相恋，但由于传统观念，他们发生了一系列的误会，造成了水秀当众向石神发誓，除非石崖下蛋才嫁给万欣。万欣言不放弃感动了石神，石崖产蛋，万欣和水秀终成眷属。

简介：保罗·莱尼拍摄于1924年的《蜡人馆》被普遍认为是表现主义的最后一部作品。这部作品采用了与《疲倦的死神》相类似的叙事结构，讲述一个蜡人馆的老板请来一位作家为自己的蜡像人物编故事。作家编写了三个故事：哈里发的故事、伊凡雷帝的故事和“恐怖杰克”的故事。其中第一个几乎完全脱胎于《疲倦的死神》，第二个则是有关俄罗斯历史上的暴君，第三个更是诡异离奇，基本上是英国近代史上两个杀人狂魔“弹簧腿杰克”和“开膛手杰克”的结合体，这两个杰克都是历史上的悬案，传说他们是地狱的使者，在人世间嗜血如命、杀人如麻。在影片的最后，连作家本人也被杰克追杀。我想，现在那些有关连环杀人犯的恐怖电影，其源头恐怕得追溯到这里。

简介：The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

简介：Mahesh, a photographer, gets beaten up by a stranger when he tries to solve an issue in his village. He sets out to take revenge on the stranger as he feels insulted after the incident.

简介：契诃夫《决斗》改编

简介：影片以刘长城本人为人物原型，以其身边的故事为创作半径，对公益场景及公益活动进行精确还原，不仅歌颂了这种大爱无疆的精神，而且通过文艺作品的属性向社会各界号召向“刘长城们”学习，向更多在一线公益事业上的奉献者学习。

简介：On a hot summer afternoon in New York, Emma Jones gossips with other neighbors in her residential building about the affair that Mrs. Anna Maurrant and the milkman Steve Sankey are having. When the rude and unfriendly Mr. Frank Maurrant arrives, they change the subject. Meanwhile, their teenage daughter Rose Maurrant is being sexually pressured by her married boss Mr. Bert Easter. She does however very much like her kind young Jewish neighbor Sam, who has a serious crush on her.　　The next morning, Frank Maurrant tells his wife that he is traveling to Stamford on business. Mrs. Maurrant meets the gentle Sankey in her apartment, but out of the blue Frank comes back home. He realizes his wife is upstairs with Sankey, and runs upstairs. We hear shots and see the two men struggling as Sankey tries to escape through the window. Maurrant runs out with a gun. He has killed Sankey and fatally wounded his wife.　　Maurrant is apprehended and is led away by police. He apologizes to his daughter Rose, who will now have to take care of herself and her young brother without either parent. Rose's boss offers once again to set her up in her own apartment, but she refuses. Then she sees Sam, and tells him she wants to leave the city. Sam pleads with her to let him go with her, but she tells him it will be better for the two of them to have a couple of years apart before they consider becoming a couple. Rose walks off down the street by herself.