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　　结束外事访问的美国空军一号返程途中，突然遭到不明导弹的袭击。包藏祸心的保镖（雷·史蒂文森 Ray Stevenson 饰）安排总统（塞缪尔·杰克逊 Samuel L. Jackson 饰）乘坐救生舱逃离，随后则杀害剩下的同僚逃生。救生舱坠落在毗邻雪山的密林中，而且总统幸运地得到了14岁男孩奥斯卡（欧尼·汤米拉 Onni Tommila 饰）的救助。但是奥斯卡拒绝将总统带出森林，因为按照村中习俗，年满14岁的他必须独自打猎带回猎物，才能证明自己是真正的男人。总统万般无奈，只得跟随他踏上征途。打猎途中，总统发现遇害侍从们的尸体，从而意识到阴谋的存在。
　　就在此时，杀心四起的保镖和恐怖组织相继出现在总统和男孩面前……

　　影片介绍：影片讲述了一名警察无视法律的界线，不择手段为爱妻复仇的故事。一名被梅森(迪恩·凯恩)送去坐牢的罪犯，派人杀害了他的妻子。梅森故意犯法，为的是进监狱接近他的仇人。在监狱中，梅森发现了一个新型的犯罪组织，这个组织为了保全自身利益无恶不作.....

　　T病毒在蜂巢中肆虐并很快打破了地面上浣熊市的平静，丧尸开始在人群中出现，安布雷拉公司将整个城市封锁，计划使用核武器摧毁城市以掩盖病毒外泄的事实。被安布雷拉注射T病毒使身体能力远超常人的爱丽丝（米拉·乔沃维奇 Milla Jovovich 饰）由昏睡中醒来，她在混乱的浣熊市与防卫队员瓦伦汀（Sienna Guillory 饰）、记者泰莉等人组成队伍，试图找到脱身之法。另一方面，安布雷拉公司的科学家艾肯佛博士为搭救被公司抛弃在城中的女儿安琪拉，以提供逃生方式为代价请求爱丽丝和防卫人员卡洛斯（Oded Fehr 饰）两组人马帮助。而安布雷拉公司派出了由环保分子麦特所改造成的“复仇邪神”阻止这一切……
　　本片获2005年加拿大吉尼奖最佳音效剪辑奖、金盘奖。是生化危机系列电影的第二部。

　　讲述1800年前后罗马尼亚政客腐败，一个名叫Margelatu的神秘人物，以黄玫瑰为标志，除暴安良。罗马尼亚的罗宾汉传奇。

　　菲利浦和卡萝刚在一起，两人都在不久前才离婚。菲利浦想尽办法只为获得卡萝两个孩子的好感。他和卡萝的儿子打赌，如果他通过考试，顺利毕业的话，他就可以选择他想去的渡假胜地：伊维萨岛。对于习惯法国北部安宁生活的菲利浦来说，这趟旅程将带给他巨大惊喜……

　　汤姆．伯兰吉尔监制主演的电视电影，题材比较冷僻，但导演克雷格．巴克莱仍然掌握住这个真实故事所具有的戏剧潜力，一方面拍出宗教族群的特殊人际关系，也适度表现了谋杀故事的神秘惊险气氛。故事描述一名摩门教的独自修行信徒，发现了西部教会的领导人布里格姆杨和其他长老将会被敌人阴谋杀害，于是尽一己之力来保护他们的生命。主演过不少宗教巨片的查尔顿．赫斯登以七十二岁的高龄演出摩门教的领袖，六十七岁的詹姆斯．科伯恩则饰演其中一名长老。

　　单身汉埃迪（本•斯蒂勒 饰）起初并没有结婚的想法，但是参加完一个又一个朋友的婚礼之后，开始感到空前的孤独，于是尝试着和活泼迷人的莱拉（马琳•阿克曼 饰）约会。仅一周之后，埃迪就被自己的父亲（杰瑞•斯蒂勒 饰）和死党马克（罗布•考得瑞 饰）催促着向对方求婚。埃迪觉得这可能是他最后的机会，所以放手一博，没想到莱拉欣然应允。
　　仓促的婚礼后，两人前往墨西哥度蜜月。一路上，莱拉行为古怪，和埃迪想象中的女孩子形象大相径庭，看似甜蜜的旅程，简直就像一场噩梦。然而到了蜜月地，因为莱拉的皮肤晒伤，埃迪有机会认识了和自己性情相投的米兰达（米歇尔•莫娜汉 饰），面对迟来的真爱，他将何去何从？

　　薇达和杰克森是纽约著名变装皇后，获得到加州好莱坞参加选美的来回机票。两人遇到因落选而十分难过的罗琪琪。于是，两人便将机票卖掉，改租一部凯迪拉克敞篷车，并邀请罗琪琪共同前往加州好莱坞参加选美。 没料到车子途经一个小镇时抛锚，三个浓妆艳抹的男子被困在保守纯朴的小镇里。他们在这里 ，不但使镇民们眼界大开，让原本纯朴乏味的小镇，充满生活与活力，还抚慰了许多破碎的心灵，一连串惊奇的笑料不断登场……

　　该片讲述的是一名19禁情色片导演与童星出身的女明星陷入爱河的搞笑爱情故事。尹启相、高俊熙、吴政世、赵达焕、黄灿盛、申智秀等实力派演员加盟令该片星光熠熠。
　　该片如实还原19禁影片拍摄现场的状况，令观众非常好奇。尹启相饰演的电影导演有着拍19禁电影长达10年的经验，但本人却是纯情派，还是一直梦想着拍一部正经的电影，也让很多女人都陷入他的魅力之中。而他和吴政世、赵达焕、黄灿成组成的19禁电影摄影团队堪称19禁电影界的复仇者联盟，配合默契。吴政世饰演助理导演、赵达焕饰演摄影师，而黄灿成则饰演剧组中年龄最小的工作人员。
　　高俊熙饰演的是名副其实的票房女神，成为了19禁电影的女主人公，她是所有人瞩目的焦点。在影片中，无论是浪漫爱情戏还是搞笑喜剧，都发挥得游刃有余，高俊熙也将成为新一代“浪漫喜剧女神”。

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

　　涉及社会问题的剧情片