最后一击

国语高清正片

1.0 |06月05日 |揭秘黑科技冷冻人
简介:
一伙由机器人领导的歹徒劫持了一家医院,并把正在医院里的总统的女儿扣为人质。为了解救总统的女儿,警察找到了设计这幢建筑的设计师,可他因为犯罪被关进了监狱,并且被冷冻起来。警察决定把他解冻,却阴差阳错解冻了另一个人。这个人原本是橄榄球运动员,他从其他人的交谈中知道了事情的来龙去脉,可是他却没有声张,打算通过与警察合作来换取自由。可是他对大楼的设计毫不了解,能够配合警察挫败歹徒的行动吗?
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主演:谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
简介:Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007  Author TimothyFarrell from Worcester, MA  Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)  -from imdb
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主演:谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
嫦娥奔月
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