6.0 |06月05日 |血狼小队正面交锋生死对决
简介:

  马跃的妻子莉莉挺着大肚子,准备产检。就在这个时候,一伙儿匪徒悄然绑架了莉莉,她给马跃的电话打到一半就断了,聪明的莉莉在匪徒动手控制她之前,将马跃送给她的定位手表摘下来,塞进衣服里。马跃意识到莉莉发生不测,赶紧通知了龙卫和陆大山。他们通过莉莉的手表追踪到匪徒的路线,紧急尾随。没想到追踪到一处民房,却遭遇陷进。原来莉莉的手表被匪首刘飞龙发现,他们已转移莉莉,并对血狼张网以待。
  境外,黑狐与代号为GM国际恐怖组织派来的特使亨特秘密会面,原来他早就是该组织的一员。此时,大屏幕上播放着藤国发生大规模民众示威游行的视频画面,藤国民众对现任政府各项政策深恶痛绝,同时纷纷表示怀念前任总统多达坤恩。雅塔也适时地发表电视讲话,呼吁民众联合起来反抗暴政,更加推波助澜,藤国政权已经到了岌岌可危的地步。
  亨特表达了本组织与黑狐的合作内容:现在的藤国总统早有不臣之心,越来越难以合作,他希望黑狐能够力挽狂澜,成为藤国新的领导者。摘下面具的黑狐俨然就是藤国前总统多达坤恩。原来,真正的坤恩总统早在下台之前就已经被亨特的组织秘密逮捕并软禁,当年的下野声明就是黑狐冒充坤恩所发。如今故技重施,一旦黑狐“重夺政权”,可以立刻安抚民众,而藤国政权就会被国际恐怖组织彻底把控,而黑狐也将拥有巨大的权力和财富。亨特将一支精干的武装力量带给了黑狐,头目叫獠牙和水蛇,其中獠牙还有另外一个身份:前任总统多达坤恩的侍卫长。
  藤国,雅塔已经公开行动,她又一次召开记者发布会,代表民众痛斥现政府的种种劣迹。人群中,獠牙假扮的记者引起雅塔注意,并私下告诉雅塔:坤恩先生已经被他救了出来,现在要立刻见她。雅塔不知是计,匆匆跟着獠牙踏上行程。雅塔终于见到了朝思暮想的父亲坤恩(实际上是黑狐),黑狐变造了一套谎言取得了雅塔的信任,他告诉雅塔,自己决定重掌政权,要雅塔以他的名义召集藤国国内支持他的几个军政要员秘密开会。雅塔深信不疑,立刻开始联络这些前总统坤恩的秘密支持者们,黑狐的阴谋顺利展开!
  龙卫三人继续追踪莉莉,来到了一个小渔村。水蛇以莉莉的性命要挟三人放下武器,束手投降。痛苦惊惧的莉莉哭着让马跃不要管她,但马跃咬着牙放下了武器,他不能扔下自己怀孕的爱人不管,哪怕是和她一起死!他请求龙卫和陆大山赶紧离开,但龙卫却和他一起放下了武器。陆大山也跟着放下武器,被龙卫一脚踹进水里。陆大山明白了狼王的意图,看着两人,含泪而去。
  獠牙将抓获龙卫二人的消息告知黑狐,黑狐大为兴奋,他指示水蛇,在杀死龙卫二人之前,要获得一个重要的政治资本,以便于当权后作为与某大国取得合作的“献礼”。
  在雅塔和支持坤恩总统的军政要员与“父亲”的一次会面宴会上,雅塔对“父亲”吃蘑菇的举动已产生怀疑,因为真正的坤恩总统蘑菇过敏,突然意识到假冒的父亲有可能就是黑狐,于是雅塔偷偷取出黑狐用过的餐具,去医院检查DNA。
  龙卫被审问的时候,什么也不交代,并说出水蛇的身世。原来水蛇一家都是被黑狐暗中迫害,然而水蛇却认贼作父,并且趁机制服了水蛇,逃出关押的房间。这时雅塔在医院接到陆大川的电话,与陆大山顺利汇合。两个人整齐武器装备,奔赴龙卫和马跃被关押之地,将两人和莉莉解救了出来。獠牙追踪雅塔也来到渔村,双方展开激战,水蛇被獠牙开枪灭口,临死前说出真正的前总统被关押在藤国秘密监狱。
  龙卫三人和雅塔根据水蛇临死前提供的线索潜入藤国秘密监狱,经过一番激战,救出了真正的坤恩总统,在黑狐即将发表政变宣言之际现身。面对阴谋败露,恼羞成怒的黑狐指使獠牙掏出手枪,欲枪杀真正的坤恩总统,却确击中了保护父亲的雅塔。黑狐趁着众人慌乱,企图逃离电视台大厦。然而由于黑狐身份暴露,GM组织为了掩盖罪行,派来杀手准备除掉黑狐,双方激战中獠牙被击毙,但黑狐侥幸跳脱。
  惊慌失措的黑狐跑向一个十字路口时, 追踪而来的GM组织汽车向他撞来,却阴差阳错发生了车祸,劫后余生的黑狐趴在地上还在庆幸,抬头却看到龙卫、马跃和陆大山来到眼前,一枪爆头。
  病房中,真正的坤恩总统坐在床头看着电视,新闻中他正在揭露了三年前的政治阴谋,并宣布会重返政坛,支持者的欢呼声。病床上雅塔昏迷不醒,旁边的桌子上有一束鲜花,鲜花中一张卡片上印着一个狼头。

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死神假期
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3.0
已完结
死神假期
3.0
更新时间:05月18日
主演:弗雷德里克·马奇,伊夫琳·维纳布尔,盖伊·斯坦丁,凯瑟琳·亚历山大,吉尔·帕特里克,凯瑟琳·霍华德,肯特·泰勒,亨利·崔佛斯,G·P·亨特利,莫洛尼·奥尔森,赫克托·萨尔诺,菲利普斯·斯莫利,HelenWestley,AnnaDeLinsky,OttoHoffman,FrankYaconelli
简介:Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson  If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.  [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.  To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.  More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.  (Howard Schumann, talkingpix.co.uk)  In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.  (Dennis Schwartz, homepages.sover.net)  I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.  (Dave Sindelar, scifilm.org)  See also the remake Death Takes A Holiday (1971)
249
1934
死神假期
主演:弗雷德里克·马奇,伊夫琳·维纳布尔,盖伊·斯坦丁,凯瑟琳·亚历山大,吉尔·帕特里克,凯瑟琳·霍华德,肯特·泰勒,亨利·崔佛斯,G·P·亨特利,莫洛尼·奥尔森,赫克托·萨尔诺,菲利普斯·斯莫利,HelenWestley,AnnaDeLinsky,OttoHoffman,FrankYaconelli
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