8.0 |06月05日 |黑豹警探大开杀戮 |共1集
简介:

  华特(克里斯蒂安·贝尔 Christian Bale 饰)是目无王法的纨绔子弟,因为杀害了一名黑人学生而被沙夫特(塞缪尔·杰克逊 Samuel L. Jackson 饰)捉拿归案。无奈华特的家里有权有势,仅仅略施小计就令华特无罪释放。然而,重获自由的华特却并不懂得珍惜,他对让自己丢了面子的沙夫特恨之入骨,发誓一定要除之而后快。
  沙夫特因为坚守内心里的正义,因此树敌众多,想要取他性命的,除了华特以外,还有曾经被他羞辱过的毒枭和在警察局里贪污受贿的刑警。性命同样受到威胁的,还有目击了华特杀人现场的证人,沙夫特必须早华特一步找到他,将他保护起来。

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简介:Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007  Author TimothyFarrell from Worcester, MA  Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)  -from imdb
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